Semaine vol. XV

Contents :
n° 366, Semaine 24.14, L’herbier : marcher, classer, nommer le paysage, Écomusée de l’Avesnois, Fourmies ; Cent lieux d’art2, Solre-le-Château. Text. Alice Cornier
n° 367, Semaine 25.14, Où donc est passé le réel ? Florent Belda, Valérie Belin, Damien Cabanes, Philippe Cognée, Natacha Dubois Dauphin/Stéphane Vigny, Esther Ferrer, Didier Hébert-Guillon, Christian Lhopital, Loriot & Mélia, Marguerite Peltzer, Philippe Ramette, Lionel Sabatté, Ji-Yeon Sung, Chapelle de la Visitation, Espace d’art contemporain, Thonon-les-Bains. Text. Philippe Piguet
n° 368, Semaine 26.14, Sophie Matter de vous à moi – atelier résidence, Musée-château, Annecy
n° 369, Semaine 40.14, Linda Sanchez, Débattre la mesure, Centre des Humanités, Insa de Lyon. Text. François Aubart
n° 370, Semaine 41.14, Myriam Mihindou, Image et mystère, Chapelle de la Visitation, Espace d’art contemporain, Thonon-les-Bains. Text. Philippe Piguet
n° 371, Semaine 48.14, Farah Atassi, Le Portique, espace d’art contemporain, Le Havre. Text. Timothée Chaillou

Suppléments
Galeries Nomades 2014,
Institut d’art contemporain, Villeurbanne/Rhône-Alpes
n° 372, Semaine 49.14, Adélaïde Feriot, Éternelle Jeunesse, Angle art contemporain, Saint-Paul-Trois-Châteaux. Text. Paul Bernard
n° 373, Semaine 50.14, Maxime Lamarche, Les Sirènes chantent toujours faux, Espace Vallès, Saint-Martin-d’Hères. Text. Judicaël Lavrador
n° 374, Semaine 51.14, Nicolas Momein, Walk Like an Egyptian, Château-Musée, Tournon-sur-Rhône. Text. Hélène Meisel
n° 375, Semaine 52.14, Daniel Otero Torres, Amalgame, Gac, Annonay. Text. Marjolaine Lévy

Technical details : 17 x 24 cm, 176 pages, softback.
Published in January 2015.
Period : June – December 2014.
Isbn : 9-78235864-064-0.
Public price : 18 €.
Subscription 1 yeat, 3 volumes : 62 €.

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Semaine 52.14 / Galeries Nomades 2014

Daniel Otero Torres, Amalgame,
GAC – Annonay

Daniel Otero Torres maintains certain ambiguities between drawing and volume, drawing and photography, original and copy, viewer and object: amalgamation is consistently central to his approach. As the starting point of his work, a digital photographic image is composed, before being meticulously reinterpreted in pencil. For the GAC, Daniel Otero Torres presents a complete set of graphic and sculptural artworks, affirming the idea of the illusion and of the oscillation between power, fragility, and confrontations.

Semaine n°375, revue hebdomadaire pour l’art contemporain
Author : Marjolaine Lévy
Languages : French / English
Published on Friday 26.12.2014

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Semaine 51.14 / Galeries Nomades 2014

Nicolas Momein, Walk Like an Egyptian
Château-Musée, Tournon-sur-Rhône

Nicolas Momein uses manufactured or industrial production materials. He thus passes from animal hair to mineral wool, to padded tablecloths, etc, while undertaking a meticulous collection of objects or furniture. He regularly bases his approach on a relationship with the worlds of craft or agriculture and assigns part of the production process to professionals: their materials and knowhow thus come into contact with his own sculptural style. For the Château-Musée de Tournon, Nicolas Momein presents a body of work reflecting the last three years of his production.

Semaine n°374, revue hebdomadaire pour l’art contemporain
Author : Hélène Meisel
Languages : French / English
Published on Friday 19.12.2014

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Semaine 50.14 / Galeries Nomades

Maxime Lamarche, Les Sirènes chantent toujours faux
Espace Vallès, Saint-Martin-d’Hères

With Maxime Lamarche, objects are combined and transformed. The artist interrelates forms and references, mixing genres, sometimes to the point of absurdity: a car floats, a boat that is no longer watertight takes to the road, a fly-case proves too heavy to move… The artist’s highly personal vocabulary finds inspiration in the world of cinema and television series and develops considerations on the status of sculpture. For the Espace Vallès de Saint-Martin-d’Hères, Maxime Lamarche tackles the practice of forging (among other subjects), surprising visitors in his own characteristic way and inviting them into his world. He thus brings the paradoxes of our society into play, according to various points of view and on different scales.

Semaine n°373, revue hebdomadaire pour l’art contemporain
Author : Judicaël Lavrador
Languages : French / English
Published on Friday 12.12.2014

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Semaine 49.14 / Galeries Nomades 2014

Adélaïde Feriot, Éternelle Jeunesse,
Angle art contemporain, Saint-Paul-Trois-Châteaux

Adélaïde Feriot constructs her work based on notions of time and perception, and their corollaries: impact and behaviour, the mechanism of vision, and proxemics. Since 2010, she has produced Tableaux Vivants [Living Pictures], real images in the making. They dilate time and rely on a protocol that detains them and enables them to reappear. Wax, ceramics, and transfers are all means that she uses to fix objects and images, in her search for tactile and temporal phenomena. For Angle Art Contemporain, she questions the idea of timelessness, implied by the title Éternelle Jeunesse [Eternal Youth].

Semaine n°372, revue hebdomadaire pour l’art contemporain
Author : Paul Bernard
Languages : French / English
Published on Friday 05.12.2014

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