Marie-Agnès Charpin
galerie Françoise Besson, lyon
When Marie-Agnès Charpin set up the bases of her painting programme in 1992, she knew that she was on territory already criss-crossed by the historical Conceptual artists—Roman Opalka, On Kawara, Hanne Darboven…–with whom she shares a concern with the issue of time. At that time she was finishing a long series of paintings based on the repetition of the gesture, and she suddenly perceived time as the substance which was organizing her research a posteriori.
Semaine n°325
Revue hebdomadaire pour l’art contemporain
Auteur : Françoise Lonardoni
Published on Friday 18.01.2013
Paper edition
17 x 24 cm, 16 pages
ISSN 1766-6465
4€ order
Numeric edition
Fichier Calaméo, 16 pages
1€ order
Also available in Semaine volume XI, May 2013, 18€
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